Mather Zickel, Anne Hathaway, Rosemarie DeWitt, and Tunde Adebimpe (left to right) feel the love in Rachel Getting Married. |
If I could
have someone else’s voice, it would be that of Tunde Adebimpe. The TV on the
Radio singer is capable of the kind of deep croon and plaintive wail that will
forever remain elusive to most of us mere mortals. There is heart, soul, and
pain in every lyric. His singing soothes the senses but inflames passions. It is
easy to understand how one could fall in love with the man based on his voice
alone, which makes him the ideal groom in Jonathan Demme’s underappreciated
2008 gem, Rachel Getting Married.
Adebimpe has
appeared in only a few films, mostly shorts or in minor roles, but in the quiet
part of the husband-to-be, he is integral to the success of Rachel Getting Married. He plays Sidney,
who in marrying Rachel is marrying into the Buchman family. Working off a wondrous
script by Jenny Lumet, Demme invites the audience to be part of their wedding,
his handheld camera swerving in and out of rooms and conversations like a guest
trying to find a familiar face.
Much of the
film focuses on a never-better Anne Hathaway as Kym – Rachel’s little sister
and the self-proclaimed harbinger of doom. Kym is the one just out of rehab,
but it quickly becomes clear the whole family is emotionally broken, wrecked by
the death of its youngest member sometime ago. In contrast, Sidney’s family and
friends represent a calm breeze against the maelstrom of the Buchmans, a kind of
peace toward which one could not blame Rachel for running.
Amid the
chaos of family drama and personal demons, however, there is perhaps the most
gloriously joyful wedding ever filmed. The event takes place at the Buchman
family home, and from the moment we step through the front door, we are greeted
with the beautiful, near-constant music that flows from every room. The
soundtrack is awash with the melodies and rhythms of life, and no matter how
dark the story gets – and it gets quite bleak – the celebration of the film’s
central couple is inescapable.
Everyone has
a song to sing, and in one of the film’s best sequences, the guests gather for
pre-wedding performances by the talented, musically inclined members of the
family. Each person’s song is so unique that while we never get to know most of
them, we have a definite sense for who they are and how much this all means to
them.
Truth be
told, we do not learn much about Sidney either, but Adebimpe’s presence is
enough. In his few short scenes, he projects such tenderness and care that we
are fully sold on this being the right man for Rachel. In this respect, the
movie saves its most wonderful trick for last. As the couple exchanges vows,
Adebimpe breaks out an a cappella version of Neil Young’s “Unknown Legend,” and
the weight of it is unmistakable.
Everything
in this family has always been about Kym and her disease, but Sidney sees
Rachel for the special person she is. Adebimpe, who is capable of shaking the
rafters with the power of his voice, pulls it all the way back in this scene.
There are a hundred people at the wedding, but when he sings, he is singing
only to his bride. If your eyes are dry, you are as broken as the Buchmans
start – though it should be noted they are quick to tears during this sequence,
as well.
Adebimpe is
an inspired choice for the role and is one of many perfect elements in one of
my favorite films. Adebimpe’s band, TV on the Radio, released its new album, “Seeds,”
this week, the group’s first since one of its members died of cancer. The album
is a potent mix of sorrow and strength, evoking the band’s great early works
but demonstrating growth and resilience beyond what audiences have heard
before. It is good to hear Adebimpe’s voice again backed by the band he fronts,
but forgive me as a movie fan for hoping he returns to the cinemas every now
and then.
Apologies for the digression from the film
year at hand, but I could not pass up the opportunity to discuss Rachel
Getting Married, which if you have not
seen it, I cannot recommend highly enough.
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