Monday, April 27, 2020

A Personal History of Oscar Watching: 2009

The cast and crew of Slumdog Millionaire accept the Oscar for Best Picture at the 2009 Academy Awards ceremony.


The 81st Academy Awards

Ceremony date: February 22, 2009
Best Picture: Slumdog Millionaire
Best Director: Danny Boyle for Slumdog Millionaire
Best Actor: Sean Penn for Milk
Best Actress: Kate Winslet for The Reader

In the pre-Twitter days, live blogging meant literally that: updating your blog in real time while watching a live event. This was the first year I tried that. I did it again in 2010, and that was that. Live blogging the Oscars is not for me. I love the show too much. I do not want to be dealing with the site or checking my Twitter feed constantly while I am trying enjoy my favorite night of the year. You can find those live blogs on the site still. They are interesting little time capsules of my younger self trying to figure out this whole website thing.

At the 2009 ceremony, the producers attempted to program the awards to reflect the filmmaking process. They started with the screenplay awards, then art direction, etc., all the way up to the finished product. If you really think about that, though, it does not make much sense. So much of filmmaking is simultaneous creation. Craftspeople of all disciplines are on set every day, making a film work. The producers and director are there from the start. It is a whole jumble. Points for trying to give the show a loose structure, but the thread was tenuous from the start.

Two things stand out from this show: Heath Ledger’s posthumous Best Supporting Actor win for The Dark Knight and the near sweep by Slumdog Millionaire. Ledger’s victory was a foregone conclusion. As much as I might have preferred Philip Seymour Hoffman in Doubt, or the not-nominated Brendan Gleeson (In Bruges) and Dev Patel (Slumdog Millionaire), it is hard to begrudge Ledger the Oscar, and certainly, no one would want to lose the moment Ledger’s family accepted the award on his behalf.

Another of the big experiments the producers of this ceremony tried was to have past acting winners in each of the four categories pay tribute to each of the nominees before announcing the winners. This is a fun idea in theory, but in practice, it was a bit of a drag. My feeling is that if you are going to give seven minutes-plus to each of the acting categories on a show people already complain is too long, then just let the winners talk for however long they wish.

The speeches are the best part of the show, the thing that makes the Academy Awards unique. It has never made sense to me the consternation over lengthy speeches. Playing people offstage at the biggest moment of their lives seems needlessly cruel. Of all the places to cut time in the show, the speeches should be the last.

The triumph of Slumdog Millionaire still seems odd in retrospect. Throughout the season, it became a juggernaut. It could not be stopped. It is hard to say why or how except that it is, at its core and despite delving into real darkness, a feel-good movie made by a group of delightful people for whom you want to vote.

The story of the movie nearly being dumped straight to DVD then being rescued by Fox Searchlight also helped make it the kind of underdog everyone wants to see win. And win it did, to the tune of eight awards. No movie since has won as many. Gravity came closest in 2013 with seven wins but no Best Picture. I think it would be difficult in the current era of the Academy to match the number put up by Slumdog Millionaire.

This was the last time the Academy had just five nominees for Best Picture. After this ceremony, they would go to 10 nominees, then at-most-10 nominees, which is where we are today. Folks paying attention at the time will remember this as a response to the lack of a Best Picture nomination for either The Dark Knight or Wall-E. The Academy, it was feared, was losing relevance when artistically accomplished box-office champions could not compete for the top award. We can talk about how that has worked out in future installments of this series.

Quick notes: Kate Winslet finally wins an Oscar, though I preferred her work in Revolutionary Road to her performance in The Reader. Just happy to see her with a statue. … The Mickey Rourke comeback tour stalled out here with Sean Penn taking home Best Actor. My favorite of the nominated performances was Richard Jenkins in The Visitor. … Looking back on my predictions from this year, I actually did pretty well. Not counting the shorts, which I had not seen, I went 17 for 21. Those are numbers I would kill for now.

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Next time: I throw my first Oscars party and The Hurt Locker takes down Avatar as the Academy paradigm shifts.

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